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- January 6, 1986VIDEOBEST OF '85
-
-
- Seems Just Like Old Times
-
-
- MARY CBS; Wednesdays, 8 p.m. E.S.T.
-
- Dear Mary,
-
- Really enjoyed my visit, and it was great to see you settled in
- your new job. Since the cruise business has slacked off a bit
- lately, I wouldn't mind getting back into journalism myself.
- I still can't quite see you fitting in at that seedy
- tabloid--what is it called?-- the Chicago Eagle. But the
- consumer-advice column they've given you should be fun.
-
- As an old friend, I have to say that the whole setup seems
- awfully familiar. I mean, back at WJM in Minneapolis we had
- pompous Ted Baxter; now you've got pompous Ed LaSalle (John
- Astin), the womanizing theater critic. At least Ted was a comic
- type--the featherbrained anchorman--that everybody could
- recognize. This LaSalle fellow doesn't make sense. He comes
- on as a Broadway blusterer, yet claims he never goes to
- "commercial pap" like Cats and Dreamgirls. Then what's he doing
- writing for a blue-collar tabloid? Your other co-workers are
- more credible. Your boss (James Farentino) seems to hate
- spunkiness as much as Lou Grant did. And Jo (Katey Sagal), the
- cynical columnist, couldn't be a better foil if she had been
- invented by TV comedy writers.
-
- Everybody sure is quick with the quips around there. I liked
- it when your boss, scoffing at the idea of hiring a fashion
- writer, cracked, "Most of our readers use this paper for
- clothing." And you are still terrific. But there's entirely
- too much harping about your sweet, squeaky-clean personality.
- One day on the job and people were already making jokes about
- Care Bears on your desk. A week later you were getting grief
- for being too polite to a sleazy video auctioneer who was
- ripping off customers. "What, no hand puppets?" snapped Jo.
- Enough already.
-
- But who am I to complain? The ratings are hardly spectacular,
- but you're getting raves. Anyone else might get dumped on for
- trading in nostalgia or resorting to self-parody. What's your
- secret?
-
- Much love, Murray
-
- Dear Mur,
-
- Nice to hear from you. Well, I'm a little uneasy about the job
- myself. But it makes me feel young again, just like the old
- days at WJM. The nice thing is that it seems to make everybody
- else feel young again too.
-
- Besides, didn't you notice the changes? I'm divorced now and
- supposedly worldly. My next-door neighbor (Carlene Watkins)
- comes to me for advice about boyfriends, not the other way
- around. It took seven years for Mr. Grant and me to make a
- tentative, farcical try at a love scene; my new boss made a pass
- at me my very first day. I think he still might be after me.
- That's called sexual tension. Very adult.
-
- My co-workers may seem pretty one-dimensional so far, but you
- know how it is: they always improve with time. After all, who
- would have thought that Ted Baxter, the butt of our jokes for
- so many years, would eventually get married, adopt a child and
- start to resemble a human being? Yes, I know, I never really
- bought it either. But let's keep our memories. They're all
- we've got.
-
- I was almost as surprised as you at the wonderful reception.
- But, Mur, I've thought about it, and there's no other
- explanation. I have to admit: they like me!
-
- Fondly, Mary
-
- --By Richard Zoglin
-
-
- --------------------------------------------------------- BEST
- OF '85
-
- AMAZING STORIES/ALFRED HITCHCOCK PRESENTS (NBC) Steven
- Spielberg's sweet-tempered fantasies and Hitch's mordant tales
- of suspense (with the master himself back in living color)
- combined for the season's most imaginative prime-time hour. And
- in Spielberg's episode The mission, the most exciting.
-
- BLEAK HOUSE (PBS) The London fog, an interminable law case and
- a rich broth of Charles Dickens' memorable characters were
- brought to the small screen in a faithful and flavorful
- Masterpiece Theatre adaptation.
-
- DEADLY INTENTIONS (ABC) A mousy wife discovers that her new
- husband is a sadistic psycho; when she walks out, he plots
- murder. Ripped from the headlines and tensely directed by Noel
- Black, this was the year's most unexpectedly terrifying TV
- movie.
-
- GO TELL IT ON THE MOUNTAIN (PBS) James Baldwin's
- autobiographical novel was adapted with uncommon tenderness and
- dignity in this beautifully acted (by Paul Winfield among
- others), little-heralded segment of American Playhouse.
-
- LATE NIGHT WITH DAVID LETTERMAN (NBC) The pet tricks are still
- stupid, the Fugitive Guy has come and gone, and, after four
- years, Dave's video funhouse has matured into TV's rudest,
- funniest satire.
-
- MIAMI VICE (NBC) Designer suits, rock music and some tough
- hombres on both sides of the law. This groundbreaking cop show
- has made crime fighting both visually stunning and intensely
- serious again.
-
- MOONLIGHTING (ABC) Cybill Shepherd and Bruce Willis, as a pair
- of bickering private eyes, have the most engaging love-hate
- relationship on TV, and their series has recaptured the spirit
- of Hollywood's romantic comedies of the 1930s.
-
- NIGHTLINE (ABC) With an extraordinary week in South Africa and
- tireless, indispensable coverage of terrorist crises around the
- globe, Ted Koppel and crew had a banner year. What did news
- junkies ever do without them?
-
- RAY BRADBURY THEATER (HBO) Before the networks' fall
- sci-fi/fantasy revival, this series turned three original
- Bradbury stories into tingly, atmospheric half-hour dramas.
-
- WARNER BROS. CARTOONS GOLDEN JUBILEE 24 KARAT COLLECTION (HOME
- VIDEO) Bugs Bunny, Daffy Duck and friends in nine delightful
- cassettes. In an era of debased TV animation, they prove that
- cartoons once had wit, style and (sufferin' succotash!) art.
-
-